The grand opening exhibition at Aranya Art Center starts with “color,” a daily concept. By presenting six individual, monochrome works, it blurs the boundary between the publicity and privacy of its venue and digs into the relationship between the subjective spiritual experience and the objective field in the contemporary context.
Colors exist, in biological terms, not by themselves but through visions of us human beings. We perceive the light that has been reflected on our retinas, which becomes what we recognize as colors. It is upon this visual process that we build our world. In our feeling and understanding of colors, individuals’ experiences become infinite. Josef Albers views colors “the most relative medium in art,” and the most direct information we can receive in our daily visual activities. Though in essence colors are results of our neural actions, we habitually endow them with meanings and attempt to constitute specific common knowledge among communities. Nevertheless, does everyone see color in the same way?
The grand opening exhibition at Aranya Art Center starts with “color,” a daily concept. By presenting six individual, monochrome works, it blurs the boundary between the publicity and privacy of its venue and digs into the relationship between the subjective spiritual experience and the objective field in the contemporary context. The monochrome space thus points to both the visual and spiritual dimensions, as well as Aranya’s daily space. As Olafur Eliasson writes in 457 Words on Color, “The experience of being in the monochrome space of course varies with the people, but the most obvious impact of the yellow light is that the perception is obviously acquired:The representations filter is brought to our awareness and with our ability to see ourselves in differed light.”As we expect,colors here are no longer facdes,but space that composes the spectacle,with invites the audience to immerse themselves and to explore the vastness after color.
Chen Ruofan
Botanical Bank: 54 Objects Transplanted
2023
Stainless steel, LED, video
400 × 400 × 400 cm
55:92 min.
Commissioned and produced by aranya plein air art project 2023
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project
Haegue Yang
Migratory DMZ Birds on Asymmetric Lens - Duiitt Duiitt Vessel (Gray-Backed Thrush)
2020
Soapstone, 3D printed resin
158 × 89 × 147 cm
Installation view, aranya plein art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of the artist, Galerie Chantal Crousel, Paris
and aranya plein air art project
Robert Mapplethorpe
Self Portrait
1981
Silver gelatin print
58.5 × 61 × 3.2 cm (framed)
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project
© Robert Mapplethorpe Foundation. Used by permission.
Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Seoul
Christine Sun Kim
A Permanent Tourist In A Foreign Language
2023
Inkjet printing on stainless-steel sign post
225 × 150 cm × 7 parts
Commissioned and produced by aranya plein air art project 2023
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project