The first instance of fire-making marked the beginning of a long relationship. Fire sparked leaps in human civilization and technology, while also setting humanity on a path of trials that persists to this day. We still live in an era driven by “combustion”: energy flows unseen beneath the ground, through pipes and engines; fire is embedded within infrastructures, becoming the hidden heart of cities and global systems. At the same time, uncontrolled wildfires, the fires of war, and climate crises constantly remind us of the cost of this dependence.
The continual evolution of fire-making tools forms material cross-sections of systems, faith, war, industry, and consumer society. Across time and geography, they trace the trajectory of humanity’s interaction with fire. These tools appear throughout five galleries, juxtaposed with contemporary artworks and reactivated as media for understanding the present.
This exhibition seeks to open a perceptual passage between past and present. From minuscule sparks to vast energy networks, from handheld firesteels to massive industrial installations, fire touches the most intimate everyday experience while also being deeply rooted in the structure of civilization. The exhibition invites us to reexamine how fire has shaped the world we inhabit and the ways we understand it, and how our journey with fire straddles the line between dominance and dependence.
Chen Ruofan

Botanical Bank: 54 Objects Transplanted
2023
Stainless steel, LED, video
400 × 400 × 400 cm
55:92 min.
Commissioned and produced by aranya plein air art project 2023
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project
Robert Mapplethorpe

Self Portrait
1981
Silver gelatin print
58.5 × 61 × 3.2 cm (framed)
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project
© Robert Mapplethorpe Foundation. Used by permission.
Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Seoul
Haegue Yang

Migratory DMZ Birds on Asymmetric Lens - Duiitt Duiitt Vessel (Gray-Backed Thrush)
2020
Soapstone, 3D printed resin
158 × 89 × 147 cm
Installation view, aranya plein art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of the artist, Galerie Chantal Crousel, Paris
and aranya plein air art project
Christine Sun Kim

A Permanent Tourist In A Foreign Language
2023
Inkjet printing on stainless-steel sign post
225 × 150 cm × 7 parts
Commissioned and produced by aranya plein air art project 2023
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project