The butterfly is a frequently recurring motif in Vivien Zhang’s recent work. The shape originates from the butterfly projection method devised by Bernard J.S. Cahill in 1909. Due to its more accurate representation of land area, this octahedral map projection—which unfolds the Earth into the shape of a butterfly—is regarded as a visual solution that is more geopolitically neutral to regional politics and provides us with an alternative logic for understanding the world.
Map projections are often seen as “husks” of the Earth, while the butterfly’s skin carries a more profound metaphor: butterflies mimic each other’s patterns to evade predators, and some species undertake intergenerational migrations for survival and reproduction. The exhibition title, Paths Unseen, alludes to the ways in which migrations and assimilation within an individual’s history subtly shape behaviors and interpersonal relationships (the artist moved between multiple countries during her upbringing and is currently based in the United Kingdom). Drawing on the mimicry and migratory mechanisms of butterflies, this exhibition explores how individuals move through, adapt to, and assimilate within social structures, reflecting on contemporary issues such as identity formation, collective consensus, and strategies of survival.
This exhibition is organized by Assistant Curator Gao Liangjiao and Associate Curator Wu Yiyang at the Aranya Art Center.
Chen Ruofan

Botanical Bank: 54 Objects Transplanted
2023
Stainless steel, LED, video
400 × 400 × 400 cm
55:92 min.
Commissioned and produced by aranya plein air art project 2023
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project
Robert Mapplethorpe

Self Portrait
1981
Silver gelatin print
58.5 × 61 × 3.2 cm (framed)
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project
© Robert Mapplethorpe Foundation. Used by permission.
Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Seoul
Haegue Yang

Migratory DMZ Birds on Asymmetric Lens - Duiitt Duiitt Vessel (Gray-Backed Thrush)
2020
Soapstone, 3D printed resin
158 × 89 × 147 cm
Installation view, aranya plein art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of the artist, Galerie Chantal Crousel, Paris
and aranya plein air art project
Christine Sun Kim

A Permanent Tourist In A Foreign Language
2023
Inkjet printing on stainless-steel sign post
225 × 150 cm × 7 parts
Commissioned and produced by aranya plein air art project 2023
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project